Sarker Protick
Shadows in the Sky
08/08–27/09/2025
FOTOHOF Gallery
With Sarker Protick, FOTOHOF is presenting a contemporary artist from Dhaka, Bangladesh, whose long-term investigations combine the media of photography, video and sound in order to create an ongoing meditation on a single moment's transience as well as on larger historical and political formations. In seemingly melancholic images, he makes his way through Dhaka, through the neighborhood where he grew up and still lives today. Looking at the people, animals and plants, which are all to be found in front of a monumental setting of giant construction sites, the aesthetic sentiment fades and reveals itself as a means of interweaving multiple layers of time. As such, the unfinished pieces of concrete and steel seem like frozen relics of an era when mega- cities of the global South were rushing towards a future whose deafening sound still seems to resonate through the images. It is against this backdrop that Sarker Protick creates a personal narrative, an epic vision dedicated to life between the disruptions of capitalist and post-colonialist processes.
Sarker Protick
born 1986, is an artist, lecturer and curator. He studied at the South Asian Media Institute - Pathshala in Dhaka, where he has now been teaching for 12 years. Sarker Protick is also co-curator of Chobi Mela International Photography Festival, the longest running photography festival in Asia. He has received numerous grants and awards for his work (including the After Nature Prize 2024, awarded by C/O Berlin and Crespo Foundation, Foam Talent Amsterdam 2021, Magnum Foundation Fund 2018). Sarker Protick lives and works in Dhaka, Bangladesh.
In cooperation with Internationale Sommerakademie für Bildende Kunst Salzburg
News
In »Akash Kalo Megh« (Shadows in the Sky) legt Sarker Protick Bilder frei, die der Flüchtigkeit des Augenblicks gewidmet sind und sich zu einer Erzählung über das Leben entfalten. Alle gezeigten Werke haben ihren Ursprung in seiner Heimatstadt Dhaka, Bangladesch. Dort, im Umkreis jenes Viertels, wo er aufgewachsen ist, verwebt er die individuellen, mikrobiografischen Fäden der Bewohner:innen zu einem rhythmischen Gewebe, das sich all dem entgegenstellt, was durch den Kapitalismus einem jähen Wandel unterworfen ist.
Die seit vielen Jahren mit Salzburg und dem FOTOHOF verbundene deutsche Fotografin Valentina Seidel hat in einem Kooperationsprojekt mit dem Fotohof>Archiv ihre frühen Kontaktbögen und Diapositive aus den Jahren 1992-94 gesichtet und neu editiert.